There’s a dangerous power in surfaces . . .

Well here we are — it’s 2021. To borrow from the guys at Pod Save America, I feel nauseously optimistic. There are so many daunting challenges to solve, and I believe we can face them.

In 2018, at the United State of Women Summit, Tarana Burke said, “I believe we are entering a period of answers. . . . We’re trying to build something that has never existed. …

I climb the stepladder and manage to unhook the window frame’s dual locks, the pads of my thumbs turning white with effort. When I pull the window out of its casing there’s a huff of dust, a squeal of rubber, a rush of air, a broken spider web glinting against the bright blue sky. The dust smells metallic. It would be fuzzy and bitter on my tongue.

Washing the inside panes of the windows was easy, but when they were done I felt a frisson of fear. Would the window locks open? Would I be strong enough to hold the bottom pane steady while using the force needed to unlock the top one? Would I be able to hold the two windows once they were angled nearly out of the casing? …

I woke up the day before San Francisco’s lockdown flooded with cold panic. Fifty-seven, single and self-employed as a communications coach, ninety percent of my upcoming engagements had been canceled. What was coming next?? I heard a sing-song voice ringing in my head.

“La cigale ayant chanté tout l’été . . . “

My 8th grade French teacher made us memorize La Fontaine’s poem, “The Ant and the Grasshopper.” The grasshopper finds her pantry empty when winter comes. She asks her neighbor, the disciplined ant, for some grain. …

The revelation’s always on the other side of the terror!

I’m nineteen years old. I’m wearing a floral dress, singing How Beautiful Are the Feet from Handel’s Messiah for my church congregation in Los Angeles on Easter Sunday. This aria is high, it’s slow, it requires precision and purity. There’s no place to hide. I am terrified through every breath, but once the piano starts and everyone is looking at me there’s nothing to do but keep going until I finish. So I sing. …

“Why didn’t you ever marry?” my dead fiancé’s son asked me, in a voice that sounded so much like his father’s I had trouble breathing. The question came half way through a charged conversation — our first. This young man, who I barely knew and had only spoken to once, reached out to me when he turned 30 to learn what I knew about his father, who’d died 24 years before at the age of 32, leaving behind an ex-wife, two young boys and me.

I answered questions about his father, how our relationship began, the plans we’d made. The man I loved and I were separated by 3000 miles for much of our relationship — he was in northernmost California, I was in New York City. …

“The last forty pages are the best part of the book”

“The last third of the book should be cut. The best part of your story is your fiancé’s death. Not sure why the rest is there.”

“There is too much about how you feel. It’s too interior. We need more scenes.”

“There is not enough feeling. You tell us what happened, but how did you feel as it was happening?”

When I finished the fourth revision of my memoir, Good Enough?, last August, I sent it out to 15 people I know — thoughtful writers and readers, great friends — people whose feedback I hoped would guide me forward. …

As I walked out of the grand lobby of the apartment building onto Riverside Drive, a soft breeze lilted across my face, swaying my hair. Equal parts summer humid and fall crisp, the breeze coming off of the river felt so delicious on my cheek that I had to stop, close my eyes and drink it in. For nineteen days, my skin hadn’t tasted a touch that delicate, that present, that sublime.

Nineteen days before I found my fiancé in the ICU after the Coast Guard helicopter he was piloting crashed into the Atlantic. …